Since graduating with a BA from Central Saint Martins, London in 2021, Ford has worked on a broader carpentry practice, working across fabrication for fine art, production and set design, while taking a hiatus from a personal art practice that she is now returning to.

Ford’s practice probes at objective reality, working predominantly through sculpture, 3D modelling, and speculative fiction. Borrowing systems of logic from science and philosophy, Ford develops and plays with allegorical investigations into the perceptual processes that constitute and construct our realities and histories.